Clifford Brown & Max Roach met Alone together: The best of the mercury years 1995 CD nr CD2024270
Artikelnummer: CD2024270 OverzichtClifford Brown And Max Roach* – Alone Together: The Best Of The Mercury Years
Label: | Verve Records – 526 373-2, The Verve Group – 526 373-2 |
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Series: | Verve Take 2 |
Format: | 2 x CD, Compilation |
Country: | Europe |
Released: | 1995 |
Genre: | Jazz |
Style: | Hard Bop |
Tracklist
Show Credits
1-1 | Cherokee Bass – George Morrow Drums – Max Roach Piano – Richie Powell Tenor Saxophone – Harold Land Written-By – Raymond Stanley "Ray" Noble* | 5:43 | |
1-2 | Joy Spring Bass – George Morrow Drums – Max Roach Piano – Richie Powell Tenor Saxophone – Harold Land Written-By – Clifford Brown | 6:51 | |
1-3 | What's New? Arranged By, Conductor – Neal Hefti Bass – George Morrow Drums – Max Roach Guitar – Barry Galbraith Piano – Richie Powell Strings – Unknown* Written-By – Robert Sherwodd "Bob" Haggart*, Johnny Burke | 3:25 | |
1-4 | Mildama Bass – George Morrow Drums – Max Roach Piano – Richie Powell Tenor Saxophone – Harold Land Written-By – Maxwell Lemuel "Max" Roach* | 4:32 | |
1-5 | September Song Arranged By, Conductor – Ernie Wilkins Bass – Joe Benjamin Drums – Roy Haynes Flute – Herbie Mann Piano – Jimmy Jones (3) Tenor Saxophone – Paul Quinichette Vocals – Sarah Vaughan Written-By – Kurt Weill, Maxwell Anderson | 5:46 | |
1-6 | What Am I Here For? Bass – George Morrow Drums – Max Roach Piano – Richie Powell Tenor Saxophone – Harold Land Written-By – Edward Kennedy "Duke" Ellington* | 3:09 | |
1-7 | Sandu Bass – George Morrow Drums – Max Roach Piano – Richie Powell Tenor Saxophone – Harold Land Written-By – Clifford Brown | 4:55 | |
1-8 | Daahoud Bass – George Morrow Drums – Max Roach Piano – Richie Powell Tenor Saxophone – Harold Land Written-By – Clifford Brown | 4:02 | |
1-9 | Born To Be Blue Arranged By, Conductor – Jones* Baritone Saxophone – Danny Bank Bass – Milt Hinton Drums – Osie Johnson Guitar – Barry Galbraith Orchestra – Quincy Jones's Orchestra* Piano – Jimmy Jones (3) Vocals – Helen Merrill Written-By – Melvin Howard "Mel" Tormé*, Robert Wells (2) | 5:15 | |
1-10 | Jordu Bass – George Morrow Drums – Max Roach Piano – Richie Powell Tenor Saxophone – Harold Land Written-By – Irving Sidney "Duke" Jordan* | 7:46 | |
1-11 | Gertrude's Bounce Bass – George Morrow Drums – Max Roach Piano – Richard Powell* Tenor Saxophone – Sonny Rollins Written-By – Richard Powell* | 4:10 | |
1-12 | Star Dust Arranged By, Conductor – Neal Hefti Bass – George Morrow Drums – Max Roach Guitar – Barry Galbraith Piano – Richard Powell* Strings – Unknown* Written-By – Hoagland Howard "Hoagy" Carmichael*, Mitchell Parish | 3:24 | |
1-13 | Parisian Thoroughfare Bass – George Morrow Drums – Max Roach Piano – Richard Powell* Tenor Saxophone – Harold Land Written-By – Earl Rudolph "Bud" Powell* | 6:49 | |
1-14 | Blues Walk Bass – George Morrow Drums – Max Roach Piano – Richard Powell* Tenor Saxophone – Harold Land Written-By – Clifford Brown | 6:46 | |
2-1 | Dr. Free-Zee Bass – George Morrow Piano – Ray Bryant Tenor Saxophone – Sonny Rollins Timpani [Overdubbed Tymp] – Roach* Trumpet – Kenny Dorham Written-By – Max Roach | 2:07 | |
2-2 | Just One Of Those Things Bass – George Morrow Drums – Max Roach Piano – Ray Bryant Tenor Saxophone – Sonny Rollins Timpani [Overdubbed Tymp] – Max Roach Trumpet – Kenny Dorham Written-By – Cole Albert Porter* | 7:21 | |
2-3 | Valse Hot Bass – George Morrow Piano – Bill Wallace* Tenor Saxophone – Rollins* Trumpet – Kenny Dorham Written-By – Theodore Walter "Sonny" Rollins* | 14:28 | |
2-4 | Tune Up Bass – George Morrow Tenor Saxophone – Hank Mobley Trumpet – Kenny Dorham Written-By – Eddie "Cleanhead" Vinson | 7:46 | |
2-5 | Yardbird Suite Bass – Nelson Boyd Tenor Saxophone – Hank Mobley Trumpet – Kenny Dorham Written-By – Charlie Parker, Jr.* | 3:54 | |
2-6 | A Night In Tunisia Bass – Art Davis Tenor Saxophone – George Coleman Trumpet – Booker Little Tuba – Ray Draper Written-By – John Birks "Dizzy" Gillespie*, Frank Paparelli | 8:15 | |
2-7 | La Villa Bass – Art Davis Tenor Saxophone – George Coleman Trumpet – Booker Little Tuba – Ray Draper Written-By – McKinley Howard "Kenny" Dorham* | 6:17 | |
2-8 | Max's Variations (Based On "Pop Goes The Weasel") Conductor, Directed By – Faberman* Ensemble – The Boston Percussion Ensemble French Horn – Al Portch Percussion – Arthur Press, Charles Smith (6), Everett Firth, Harold Thompson (5), Irving Faberman, Lloyd MacClausland, Walter Tokarczyk Written-By – Harold Farberman | 2:20 | |
2-9 | Prelude Bass – Art Davis Tenor Saxophone – George Coleman Trombone – Julian Priester Trumpet – Booker Little Written-By – Consuela Lee Morehead* | 5:08 | |
2-10 | Juliano Bass – Bob Boswell Tenor Saxophone – Stanley Turrentine Trombone – Priester* Trumpet – Tommy Turrentine Written-By – Julian Priester | 5:43 | |
2-11 | Lotus Blossom Bass – Bob Boswell Tenor Saxophone – Stanley Turrentine Trombone – Priester* Trumpet – Tommy Turrentine Written-By – Kenny Dorham | 5:34 | |
2-12 | The Left Bank (Fourth Part Of "Parisian Sketches") Bass – Bob Boswell Tenor Saxophone – Stanley Turrentine Trombone – Priester* Trumpet – Tommy Turrentine Written-By – Max Roach | 3:15 | |
2-13 | Never Leave Me Bass – Bob Boswell Piano – Ray Bryant Tenor Saxophone – Stanley Turrentine Trombone – Priester* Trumpet – Tommy Turrentine Vocals – Abbey Lincoln Written-By – Gordon Jenkins | 6:49 |
Companies, etc.
- Record Company – Mercury Records
- Phonographic Copyright ℗ – PolyGram Records, Inc.
- Copyright © – PolyGram Records, Inc.
- Pressed By – PMDC, Germany
- Recorded At – Capitol Studios, New York City
- Recorded At – Capitol Studios
- Recorded At – Fine Recording Studios
- Recorded At – Fine Sound
- Recorded At – Newport Jazz Festival
- Recorded At – Music Inn, Lenox, MA
- Recorded At – Universal Recording Studio
- Mastered At – PolyGram Studios
Credits
- Booklet Editor [Notes Edited By] – Peter Pullman
- Compilation Producer [Compilation Supervised By] – Michael Lang (2)
- Compiled By [Selected And Sequenced By] – Kenny Washington
- Coordinator [Production Coordinated By] – Aric Lach Morrison
- Design [Art Designed], Art Direction [Art Directed By] – David Lau (2)
- Design [Design Coordinated By] – Nichell Delvaille
- Drums – Max Roach (tracks: 2-1 to 2-13)
- Executive-Producer – Richard Seidel
- Liner Notes – Kenny Washington, Reuben Jackson
- Mastered By – Gary Mayo
- Photography By [Photographs By] – Herman Leonard
- Producer [Original Recordings Produced By] – Bob Shad
- Research [Researched By] – Ben Young (3)
- Trumpet – Clifford Brown (tracks: 1-1 to 1-14)
Notes
Recording date, recording location, master number, original LP issue:
1-1 : February 25, 1955 at Capitol Studios, NYC, 11366-2, original LP issue: Clifford Brown and Max Roach - Study In Brown EmArcy MG 36037
1-2 : August 6, 1954 at Capitol Studios, Hollywood, 10877-4, original LP issue: Clifford Brown And Max Roach EmArcy MG 36036
1-3 : January 18, 1955 at Fine Recording Studio, NYC, 11117-5, original LP issue: Clifford Brown With Strings EmArcy MG 36005
1- 4: August 6, 1954 at Capitol Studios, Hollywood, 10878, original LP issue: Clifford Brown And Max Roach EmArcy MG 36036
1-5 : December 16, 1954 at Fine Recording Studio, NYC, 11077-8, original LP issue: Sarah Vaughan EmArcy MG 36004
1-6 : February 25, 1955 at Capitol Studios, NYC, 11365, original LP issue: Clifford Brown and Max Roach - Study In Brown EmArcy MG 36037
1-7 : February 25, 1955 at Capitol Studios, NYC, 11368-4, original LP issue: Clifford Brown and Max Roach - Study In Brown EmArcy MG 36037
1-8 : August 6, 1954 at Capitol Studios, Hollywood, 10880, original LP issue: Clifford Brown And Max Roach EmArcy MG 36036
1-9 : December 22, 1954 at Fine Recording Studio, NYC, 11088-3, original LP issue: Helen Merrill EmArcy MG 36006
1-10 : August 3, 1954 at Capitol Studios, Hollywood, 10859-3, original LP issue: Clifford Brown and Max Roach - Study In Brown EmArcy MG 36037
1-11 : January 4, 1956 at Capitol Studios, NYC, 12421-4, original LP issue: Clifford Brown and Max Roach - At Basin Street EmArcy MG 36070
1-12 : January 20, 1955 at Fine Sound Studio, NYC, 11127-7, original LP issue: Clifford Brown With Strings EmArcy MG 36005
1-13 : August 2, 1954 at Capitol Studios, Hollywood, 10858-2, original LP issue: Clifford Brown And Max Roach EmArcy MG 36036
1-14 : February 24, 1955 at Capitol Studios, NYC, 11364-8, original LP issue: Clifford Brown And Max Roach EmArcy MG 36036
2-1 : September 19, 1956 NYC, 13767, original LP issue: Max Roach - +4 EmArcy MG 36098
2-2 : September 17, 1956 NYC, 13770, original LP issue: Max Roach - +4 EmArcy MG 36098
2-3 : March 20, 1957 NYC, 15189, original LP issue: Jazz In 3/4 Time EmArcy SR 80002
2-4 : December 20, 1957 at Fine Recording Studio, NYC, 16637-1, original LP issue: Max Roach + Four & More Mercury (Japan) 195J-39
2-5 : December 23, 1957 at Fine Recording Studios, NYC, 16647, original LP issue: The Max Roach 4 Plays Charlie Parker EmArcy SR 80019
2-6 : July 6, 1958 at Newport Jazz Festival, Rhode Island, 17646, original LP issue: Max Roach + Four At Newport EmArcy SR 80010
2-7 : July 6, 1958 at Newport Jazz Festival, Rhode Island, 17645, original LP issue: Max Roach + Four At Newport EmArcy SR 80010
2-8 : August 1958 at the Music Inn, Lenox, Massachusetts,17925-6, original LP issue: Max Roach With The Boston Percussion Ensemble EmArcy MG 36144
2-9 : September 22, 1959 probably at Universal Studios, Chicago, 18137-5, original LP issue: The Many Sides Of Max Mercury SR 60911
2-10 : January 1960 at Fine Recording Studio, NYC, 18785, original LP issue: Quiet As It's Kept EmArcy MG 20491
2-11 : January 1960 at Fine Recording Studio, NYC, 18780, original LP issue: Quiet As It's Kept EmArcy MG 20491
2-12 : March 1960 in Paris, 19902, original LP issue: Parisian Sketches Mercury SR 60760
2-13 : October 1960 at Universal Studios, Chicago, 19317-7, original LP issue: Moon Faced And Starry Eyed Mercury SR 60215
This compilation :
℗ 1995 Polygram Records, Inc.
© 1995 Polygram Records, Inc.
CDs pressed in Germany.
Comes in a 2-CDs standard jewel case with a 16-page booklet including 1994 liner notes in English only and B&W photographs from the sessions.